The Colonial Construction of the ‘Terrorist’: Structural Oppression and Resistance in Five Broken Cameras
The ‘terrorist’ figure is a racialized construct with roots in colonialist history. This concept justifies violence and control over Muslims and is reinforced through the ‘good Muslim/bad Muslim’ dichotomy (Byler, 2024). The documentary Five Broken Cameras shows the impact of the counterterrorism infrastructure on the habitus of the Palestinian community. The concept of the ‘terrorist’ is intertwined with colonial legacies and racialization. The film, Five